精简阅读
做国风配乐时,你是否总被“假”的民乐音色劝退?明明用了大量采样,却唯独缺了那抹《二泉映月》的哀婉或《十面埋伏》的杀气。问题不在于你技术不够,而是90%的音源库只录了标准指法,完全丢失了古筝滑音、琵琶轮指中那些决定灵魂的真实动态。这次我们扒开了KongAudio这套56GB的24件套,发现演奏家Qianqian Jin在旧金山音乐学院期间埋藏的一个“扩展技法”细节,竟能瞬间让电子音色拥有千年古韵。这个被忽略的演奏逻辑,究竟如何让你的作品从“像样”直接跃升为“入魂”?
— www.kbid.com.cn

中国民族乐器二十四件套精选了最具代表性的传统乐器,涵盖吹、拉、弹、打四大类别,其中吹奏类包括音色清越的竹笛、悠扬的唢呐和浑厚的笙,拉弦类有二胡的如泣如诉、板胡的高亢激昂与京胡的清脆明亮,弹拨类则汇聚了琵琶的珠落玉盘、古筝的行云流水、阮的醇厚圆润以及扬琴的清脆跳跃,打击类更有排鼓的雷霆万钧、云锣的繁星点点和木鱼的清脆节奏,这些乐器不仅凝聚着千年音乐智慧,更通过《二泉映月》的哀婉、《十面埋伏》的磅礴、《高山流水》的意境等经典曲目,展现出中国音乐独特的韵味与艺术魅力。

支持系统:Windows.MAC

音源厂商:http://www.kongaudio.com/

使用采样器:Kontakt 7. Kontakt 8加载

文件大小:56GB

详细信息
古筝是我们广受好评的 Plectra 系列的第五部分,该系列探索了来自世界各地的拨弦乐器。古筝也被称为中国古筝,是一种古老的乐器,由 21 根弦组成,弦长而装饰性,木制琴身带有可移动琴桥,便于调音。

我们与受过古典训练的音乐家和音响设计师 Qianqian Jin 合作,她为这个系列演奏了标准和扩展的演奏。该乐器同样适合演奏正宗的中国风音乐以及现代乐谱或配乐。我们广泛的音频演示展示了这种在各种风格中的灵活性!

关于表演者
Qianqian Jin 是一位多媒体表演艺术家和设计师,对创新的声音设计和作曲有着强烈的热情。她八岁时开始接受东方古典训练,作为古筝演奏者,并在旧金山音乐学院接受了西方音乐教育,专攻数字作曲家。

2017 年夏天,她使用各种技术和工具录制了超过 50 GB 的古筝样本,以扩大这种传统中国乐器的容量,让更多作曲家可以使用。她目前正在为古筝发明一种定制的 midi 控制器,并经常使用带有各种传感器的 Arduino 板。

Details
Guzheng is the 5th installment in our acclaimed Plectra Series, which explores plucked stringed instruments from around the world. Also known as the Chinese zither, the guzheng is an ancient instrument comprised of 21 strings stretched over a long, decorative wooden body with movable bridges for tuning.

We collaborated with classically-trained musician and sound designer Qianqian Jin who performed both standard and extended articulations for this collection. The instrument is equally suited for authentic Chinese-inspired music as well as modern scores or soundtracks. Our wide range of audio demos showcase this flexibility across a variety of styles!

About the Performer
Qianqian Jin is a multimedia performance artist and designer with a strong passion for innovative sound design and composition. She began her Eastern classical training as a Guzheng player at the age of eight and received an education in Western music specializing as a digital composer at the San Francisco Conservatory of Music.

During the summer of 2017, she recorded over 50 GB of Guzheng samples using various techniques and tools to augment the capacity of the traditional Chinese instrument so it is available to more composers. She is currently inventing a customized midi controller for the Guzheng and frequently uses Arduino boards with various sensors.

 

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